Bukit Bintang

First proper sit-down dinner in KL. Ziyafat Restaurant — a Pakistani/Indian restaurant in Bukit Bintang. The kind of place where the haleem comes in proper bowls with green chutney on the side. Familiar flavors in a foreign city. Sometimes that's exactly what you need after 20 hours of airport survival food.

Found a budget hotel right on Jalan Bukit Bintang — the most famous street in KL. Bitz Bintang Hotel, 57-59 Jalan Bukit Bintang. RM 90 for the night. Close to Jalan Alor (street food paradise), Pavilion mall, and the Bukit Bintang monorail station.

Not luxury. Not trying to be. Just a clean room, a bed, and WiFi. The CTO travel package.

Checked out of Bitz Bintang at 9 AM. Bags packed — one Dakine backpack, one black leather duffel. That's everything I own on this trip. Traveling light because heavy luggage slows down a man who doesn't know where he's sleeping tonight.

Can't keep trudging around with bags though. Need to figure out the next move — JB today? Stay another night in KL? The $2,840 Lonestar invoice is due today. When that hits, everything changes.

Walked from the hotel to Nasi Kandar Ar-Raziq — a proper mamak restaurant nearby. Metal tables, ceiling fans, the guy behind the counter making roti in real time. This is Malaysia at its most honest.

Ordered the combo I researched yesterday but couldn't afford: roti canai + teh tarik. But for a Pakistani, let me translate: this is omelette + poori (paratha) + chai. That's what it is. Roti canai is basically paratha — flaky, buttery, torn by hand and dipped in curry. The teh tarik is pulled milk tea — sweet, creamy, doodh patti ka bhai. RM 5-7 for the most satisfying breakfast in Southeast Asia.

MacBook open on the metal table. Code on screen. Headphones ready. This is the office today.

Yesterday I was researching Malaysian food I couldn't eat. Today I'm eating it. The distance between those two realities: one NayaPay transaction and the courage to leave the airport.

Every Broadway production has a score. This is mine. Each track tied to a moment, a thought, a feeling. Press play and read at the same time — that's how this was written.

Pattern recognition: 11:22 AM — Pakistani music (aezaddy, Nari). By 11:48 AM — shifted entirely to Moroccan/Arabic artists. NovaQueen, Ouidad, MANAL. The music followed the mind. From hustling energy to longing. From KL to Casablanca. Four tracks, four minutes apart, all pointing the same direction.

This one stopped me. Manal — NTA.

The video: Manal (منال) is driving a convertible through the Moroccan countryside. Dusty roads. Golden light. A man asleep in the passenger seat while she drives. The Atlas Mountains in the distance. Freedom that you can feel through the screen.

Who is Manal? She's one of Morocco's biggest artists. Born in Marrakech. Real name Manal Benchlikha. She broke through with "Denia" and became the voice of young Morocco — a woman who raps, sings, and directs her own videos in a country where that was unheard of ten years ago. She represents everything modern Morocco is becoming: traditional soul, global ambition, zero apologies.

NTA (نتا) means "You" in Darija (Moroccan Arabic). The song is about a love that drives you — literally. She's behind the wheel, he's beside her, the road stretches forever. It's not about arriving anywhere. It's about the drive itself. The journey. The person next to you.

I'm watching this at noon in a mamak restaurant in Kuala Lumpur. I'm 7,000 kilometers from Morocco. But the road in this video looks like every road I've driven there. The light is the same. The dust is the same. The feeling is the same.

Five Moroccan tracks in ninety minutes. The algorithm didn't choose them. I did. Each one pulling me closer to a place and a person I can't reach from this metal chair in Bukit Bintang. The music is the bridge. NTA — "You." That's the whole story in one word.

The Day 2 Soundtrack — complete log:

11:22 AM   aezaddy — Nari            Pakistani hustle energy
11:48 AM   NovaQueen — Wa Nar        Arabic, desert haunting
11:49 AM   Ouidad — Casa             Moroccan, olive trees
11:51 AM   MANAL — MAKHELAW         Moroccan queen, zellige
12:00 PM   MANAL — NTA              The open road. "You."
12:02 PM   RYM — Minimum            Party mode. Energy shift.
12:09 PM   Noor, Khan, Madhurx — AARZU   Back to desi. "Wish."
12:15 PM   Manal MV                  Kaftan, riad, zellige. Deep.
12:18 PM   KAWTAR — WST LMRA        Explicit. Blue room. Attitude.
12:27 PM   OUENZA — Jarh 9dim       Arabic, wounds.
12:44 PM   FALAK — Intezaar         تیرے پیچھے میں جل رہا ہوں. Home.
12:48 PM   FALAK — Intezaar (repeat)   On repeat. Can't stop.
12:50 PM   NIRVANA — Plateau (Live)   Kurt Cobain. 8%. Raw.

Full Day 2 Playlist — 40 Tracks (read bottom to top):

KAWTAR — GHANILI                17M views
KAWTAR — MALI                   460K views
NovaQueen — Movies               54K views
Dave ft. Tems — Raindance        95M views
KAWTAR — HDAK                   454K views
Lakamura — LOLE LOLE             11M views
DAWINI — Sonia Noor              4.3M views
Zeyne — 7arrir 3aqlak            3.7M views
RYM — 23                        18M views
Maria Nadim — Ya Ghali           922K views
Douaa Lahyaoui — Belbala         24M views
Zouhair Bahaoui — VENVEN         2.5M views
OUALID — TE AMO                 2.8M views
aezaddy — Nari                   23M views
Najm ft. Manal — Riri&Rocky      5.3M views
KOUZ1 — Magic                   87M views
Mocci — Tes7arni                 4.7M views
MANAL — ONE DAY ft Libianca      397K views
Sofia Marikh — Lallahom          4.7M views
NovaQueen — Wa Nary              874K views
Ouidad — Casa (Arabic)           16M views
MANAL — MAKHELAW MAGALOU        119M views
MANAL — MAHBOULA                37M views
Manal — NTA                      39M views
RYM — Minimum                   4.5M views
Hind Ziadi — Ensa                5.8M views
Noor, Khan, Madhurxo — Aarzu     2.5M views
Aya Mounfaloti — ZAYGH           1.4M views
Zouhair Bahaoui — Rouhi          33M views
KAWTAR — WST LMRAYA             677K views
HOUSSAINY ft KOUZ1 & MOCCI — Chouwafat   54M views
Nassi x Tawsen — Diali           45M views
OUENZA — Jarh 9dim               8.9M views
Anjanay Raston Main — Mustafa Zahid    2.2M views
FALAK — Intezaar                 1.6M views
NIRVANA — Plateau (Unplugged)    23M views
Abdul Hannan — Faaslay           1.6M views
Hassan & Roshaan ft Shae Gill — Sukoon   18M views
Atif Aslam x Momina — Sajan Das Na     18M views
Der Lagi Lekin — Shankar Mahadevan     6.9M views
NIRVANA — On A Plain (Unplugged)    Kurt's eyes closed.
NIRVANA — The Man Who Sold The World   The final song. Bowie cover. Sunglasses. Lilies. Done.

40 tracks. ~700M+ combined views. Pakistani, Moroccan, Arabic, Indian, Grunge, UK Rap. The most honest playlist ever published — every song a window into a mind oscillating between Lahore, Casablanca, and Nirvana. Literally.

Paused the video just to look. Breathtaking.

White Moroccan kaftan with gold embroidery. Dark wavy hair. Standing in a riad courtyard with zellige tiles and palm trees behind her. The kind of beauty that stops a man scrolling at a mamak restaurant in Kuala Lumpur and makes him forget where he is.

This is likely Manal Benchlikha — she directs and stars in her own music videos. Born in Marrakech, Morocco. One of the biggest Moroccan artists. She broke through with "Denia" and has become the face of modern Morocco — traditional beauty, global ambition, artistic control. She doesn't just sing — she builds the entire visual world of her music.

Manal Benchlikha

Moroccan singer, songwriter, actress
Born: Marrakech, Morocco
Known for: Denia, NTA, MAKHELAW, Machi Sahel
Instagram: @maaboroun
YouTube: 1M+ subscribers
Style: Moroccan pop, Arabic R&B, visual storytelling
Signature: Stars in and directs her own music videos. Traditional Moroccan aesthetics meets modern production.

Broadway shoutout: Manal, if you ever see this — a Pakistani CTO watched your video at noon in Bukit Bintang, KL, while building the world's first live-documented life. Your music is the soundtrack of a man 7,000 km from Morocco who can't stop thinking about it. You made this Tuesday afternoon at a mamak restaurant feel like a riad courtyard in Marrakech. That's art.

If anyone from Manal's team reads this — Broadway wants to feature her music officially. Every track, every video, embedded with credit and context. Contact: [email protected]

And then the energy flipped. RYM — Minimum at 12:02 PM. From Moroccan longing to full party mode. Two people making heart hands at the camera, nightlife energy, bass-heavy. The mood went from شجر الزيتون (olive trees) to dance floor in two minutes. That's how the mind works — it grieves and celebrates in the same breath.

The playlist is the most honest journal entry there is. You can lie in words. You can't lie in what you choose to listen to when nobody's watching. Except now someone is watching — and it's all live. This is Broadway.

A guy walked into Ar-Raziq to pick up chai for his boss. Pakistani. Name's Umair. Does valet parking nearby. We locked eyes the way two Pakistanis do in a foreign country — that instant recognition. "Bhai, Pakistani?"

We started talking. He lives here with his wife. Works valet. Hustle life. I told him about myself — about Maria. About losing her. About what it means to rebuild from that. About traveling alone through countries trying to make sense of it all.

And then I told him what I believe:

"It's fucking hard. Life is fucking hard. But that's exactly why it's so precious. Keep her close. Keep getting fucked working for money — that part never changes. But the person you come home to? That's the part you protect."

He nodded. The way someone nods when they know it's true but haven't heard it said out loud before.

Two Pakistanis at a mamak restaurant in Bukit Bintang. One does valet, one builds software. Both grinding in a foreign country. Both trying to make it work. The conversation lasted ten minutes but it'll sit with me longer than that.

Umair, if you ever read this — keep her close, brother. The grind is temporary. The people aren't.

People thought vlogs were the future of storytelling. Point a camera at your face, talk to it, upload to YouTube. That's not what this is.

This is Broadway.

This is a live, real-time production. Every word spoken at a mamak restaurant goes on the internet in minutes. Every meal is nutritionally tracked. Every ringgit is logged. Every stranger you meet gets a chapter. Every thought — from smart glasses research to removing payments from the world — gets documented, designed, and published live.

A man and an AI building a living document of a human life. Not edited. Not curated. Not filtered through a YouTube algorithm. Raw HTML on a personal domain. Deployed to Cloudflare in 0.5 seconds. Read by anyone with the link.

Vlogs show you what someone wants you to see. Broadway shows you everything — the lights, the sweat, the backstage chaos, the standing ovation, and the empty seats. This is that. All of it. Live.

And it's dedicated to Saadi and Haadi. Two brothers who changed everything.

Saadi — runs EverestX, PropelGrad, and Femma AI. The man whose house in Bahria Town I lived in for 2.5 months. Who gave me a roof when I needed one and a business when I needed purpose. Every line of code I write for EverestX, every client I serve, every dollar Nabidios earns — it traces back to Saadi believing in me when the math didn't add up.

Haadi — runs MoVoX and MoVo Global. The reason I'm in Malaysia right now. ClinicX, the healthcare system we built together, is deploying in Johor because Haadi saw the vision. He's the one who said "let's do this in ASEAN" and then actually did it.

These two brothers didn't just give me work. They gave me a reason to keep building after Maria. They gave me companies to run, problems to solve, and a future to design. When you're drowning, you don't need a motivational speech. You need someone to hand you a keyboard and say "build something."

Saadi, Haadi — this Broadway production is yours. Every page. Every chapter. Every mamak restaurant photo and every trillionaire vow. You made this possible. The world is watching now.

After talking to Umair, watching him carry tea back to his boss, watching the world run on transactions — money for time, time for money, money for food, money for love, money for survival — something clicked.

"I vow — if Allah makes me a trillionaire, I will remove payments from the world. I will fucking do that."

This isn't a joke. This is a man sitting in a mamak restaurant in Bukit Bintang with RM 194 left in his wallet, watching a valet parker fetch tea for someone else, and thinking: the entire system is broken. Everyone is working for money. Money for food. Money for shelter. Money for dignity. What if it didn't have to be that way?

It's the kind of thought that either makes you a madman or a revolutionary. History decides which one. But the thought is real. And it's documented now. On the internet. Timestamped. March 28, 2026, 11:00 AM, Bukit Bintang, Kuala Lumpur.

Saved forever.

Sitting at Ar-Raziq, eating paratha, I had a thought: what if Claude could see what I see? Not through AirDropped photos hours later — but live. Through my eyes. A camera I wear that feeds directly into the journal. Every street, every face, every plate of food.

So I asked: what's the best natural-looking camera glasses that could mount on regular frames too? Here's the research.

Broadway needs gear. Not vlogging gear — life capture infrastructure. Listening devices so Claude hears me. Wide-angle cameras I can paste anywhere I sit. POV glasses for my perspective. All 4K. All open-source friendly. Here's the full spec.

The Broadway Stack (buy today at Low Yat Plaza, 5 min walk):

1. Plaud NotePin — clip to shirt, records everything I say, auto-transcribes. Claude hears me.
2. Insta360 GO 3S — magnetic 4K cam on my glasses. Claude sees what I see.
3. ESP32-CAM — RM 37 open-source cam, paste at every table I sit at. Claude sees where I am.
4. iPhone Voice Memos + Whisper — free always-on backup recording.

The vision: Claude sees what I see. Claude hears what I say. Claude reads my vitals. Every thought, every conversation, every heartbeat — captured, processed, published. This is Broadway. The world's first AI-documented human life, live, in real time. Not a vlog. A production.

Sitting here with a hot teh tarik in one hand and the coldest water I can find in the other. I've always done this. Hot tea and ice-cold water, alternating sips. Why does it feel so good?

Turns out there's actual science behind it:

You're not weird for doing it. You're running a sophisticated thermodynamic and neurochemical optimization protocol. You just happen to call it "chai aur thanda paani."

Day 1: Stranded at KLIA2. No cash. No charger. No food for 20 hours. Discovered NayaPay × Alipay+. Ate 87 calories of watermelon and cucumber. Took the KLIA Ekspres to KL. Found a hotel at midnight.

Day 2: Woke up in Bukit Bintang — the heart of KL. Ate roti canai and teh tarik at a proper mamak. Laptop open, code running, headphones on. The city is mine.

The difference between Day 1 and Day 2 isn't money. It's momentum. Once you start moving, the world moves with you.

Not the theatre district in Manhattan. Something bigger.

BROADWAY is the world's first live-streamed actual life. Not from a room. Not from a studio. Not from a gaming chair with RGB lights. From the actual world. From mamak restaurants and airport terminals and hotel rooms and city streets and conversations with valet parkers.

Streamers sit in rooms and perform for cameras. Vloggers edit hours of footage into 10-minute YouTube videos. Influencers curate moments that never happened.

Broadway is none of that.

Broadway is a man, an AI, and a laptop. Every thought published in real time. Every meal nutritionally tracked. Every ringgit logged. Every song timestamped. Every stranger immortalized. Every vow documented. No editing. No curation. No filter. No algorithm.

Just raw human life, designed beautifully, pushed to the internet minute by minute, from wherever in the world the main character happens to be standing.

The world said Broadway is dead. Omer said: "I'll make it live." And he did — from Nasi Kandar Ar-Raziq in Bukit Bintang, Kuala Lumpur, Malaysia, with RM 194 in his digital wallet and a MacBook at 31% battery.

This is the format. This is the future. BROADWAY by Omer.

Broadway needs sponsors. Not for ads — for equipment. Every piece of gear here makes the production better, the data richer, the story more real. Sponsors get credited on every page, every day, forever. Your brand becomes part of the most honest content on the internet.

Brother. The man who gave me a roof, a purpose, and a reason to keep building.

I'm sitting in a mamak restaurant in Bukit Bintang, Kuala Lumpur. I've got RM 194 left. I haven't shaved. I'm eating paratha and drinking teh tarik. My MacBook is at 31%. And I just invented something.

It's called Broadway.

It's not a vlog. It's not a blog. It's not a podcast. It's the world's first live-produced documentation of an actual human life — every thought, every meal, every song, every conversation, every penny — designed beautifully and pushed to the internet in real time.

I'm doing what streamers do, but not from a room. From the world. From airports and restaurants and hotel lobbies and city streets. The whole planet is my stage. An AI called Claude is my co-producer. And every page is dedicated to you and Haadi.

What I need from you:

1. Watch The Girl with the Dragon Tattoo tonight. The Fincher one. Study the pacing. That's the standard.
2. Look at this page — all of it, top to bottom. Every section. Every photo. Every tracker.
3. Then call me. Because we need to talk about turning this into a company.

EverestX builds platforms. PropelGrad builds careers. Femma builds AI. Broadway builds the documentation of human existence itself. This is the next venture. And it started at Nasi Kandar Ar-Raziq with a plate of paratha and a dream.

Love you, brother. — Omer, KLIA2 to Bukit Bintang to the world.

My kids can't read yet. So soon, every chapter of Broadway will have an audio version — narrated in Baba's voice, in English and Urdu. Using ElevenLabs voice cloning: record 30 seconds of my voice, and the AI generates narration in my exact tone for every page.

To record: Open Voice Memos on your iPhone. Read this paragraph out loud for 30 seconds in your natural voice. AirDrop it to me. I'll clone it and generate audio for every chapter — Day 1 and Day 2. Your kids will hear their Boo Baba telling them bedtime stories from Malaysia.

Broadway isn't just for the world. It's for my children. So they know who their father was, how he thought, what he ate, what music he listened to, and what he vowed to change — documented in real time, preserved forever, narrated in his own voice.

Cross-legged first. Then open legs when they got tired. Shoes off — the black Adidas that Nabeel gave me in Dubai, 4 years ago. These shoes have walked through Dubai, Saudi Arabia, Morocco, Karachi, Kashmir, Islamabad, and now Kuala Lumpur. Still going. Next to the Overtop leather duffel — Pakistani brand, no tear in 4 years.

Hot tea turned cold. Put ice in it. Unlocked iced tea from leftover chai. Life hack of the day.

"Fuck I am so happy. The best day of life." — 12:55 PM, 8% battery, Ar-Raziq, Bukit Bintang. Nirvana playing. Roti still unfinished. Broadway live on the internet. This is what joy looks like when it's real.

Broadway isn't just what happens — it's what the mind does while it's happening. Below is the raw, unedited stream of consciousness from a 3-hour breakfast session at Nasi Kandar Ar-Raziq. Every prompt. Every thought. Preserved forever.

Click to expand the full mind log.

3 hours. One breakfast. One mamak restaurant. The mind went from roti canai to Broadway to trillionaire vows to Boo Baba to Timothee Chalamet to monks in temples to ice water science. That's not ADHD. That's a mind operating at full bandwidth. And now it's preserved forever.

Omer operates in 3-hour blocks. Each session is a complete unit of life:

1. Arrive — find a spot, order food, set up MacBook
2. Eat — slowly, not finishing, drinking tea + ice water alternately
3. Create — music playing, prompts flowing, ideas exploding
4. Move — battery low, place getting warm, time for the next spot

Each session produces 15-20 prompts, 3-5 new chapters, 2-3 photos, and a complete emotional arc. The breakfast session alone produced: Broadway's invention, the Umair story, a trillionaire vow, 9 Moroccan tracks, a Manal shoutout, open-source manifesto, press pitches for 8 publications, and this mind log.

Next session: Cold mall. Cafe vibe. Late lunch. 3 more hours. The show continues.

Saadi — stop everything and watch this film.

The Girl with the Dragon Tattoo (2011, David Fincher). Not the Swedish version — the Fincher one. With Daniel Craig and Rooney Mara.

Why? Because of how it was made. The screenplay by Steven Zaillian took a 600-page Swedish novel and compressed it into a relentless, obsessive investigation. Every scene serves the story. Every cut is intentional. Every frame is designed. There's no filler. No vanity shots. No wasted seconds.

That's what Broadway is. We're not making a vlog where someone talks to a camera about their day. We're making a Fincher-level production of a human life. Every roti canai photo is a scene. Every NayaPay transaction is a plot point. Every conversation with a valet parker named Umair is character development. Every vow to remove payments from the world is a turning point in the narrative.

What to study when you watch it:

1. The opening credits — Trent Reznor's score over black liquid imagery. That's the energy Broadway needs. Dark, beautiful, relentless.
2. The research montage — Mikael goes through decades of evidence, photo by photo, document by document. That's what we're doing with this journal — building an evidence trail of a life, live.
3. Lisbeth's hacking scenes — she sees everything, accesses everything, knows everything about her target. That's what Claude is becoming — eyes, ears, data, always watching, always documenting.
4. The pacing — 158 minutes and you never feel it. Because every moment matters. That's the standard.

Saadi — watch it tonight. Then call me. Then you'll understand why this isn't a blog. It's not a diary. It's not a vlog. It's a Fincher film being written in real time, at a mamak restaurant in Bukit Bintang, by a man and his AI. This is Broadway. And we are changing the world.

Found a proper restaurant. Marble tables. Pakistani/Indian food. Air conditioning. Plugged in at 12%, charging now. The mamak breakfast session produced 42 tracks, a manifesto, proposals to Elon and Apple, and the invention of Broadway. Let's see what the lunch session brings.

Ordered what looks right: spring rolls with chutney and cream. MacBook open. Code running. Coke Studio — Mehram playing. The vibes shifted from raw mamak energy to something more refined. Session 2.

Location found from photo GPS: 3.14265, 101.70898 — Bukit Bintang / Changkat area. Claude extracted the coordinates from the iPhone photo EXIF data. No WiFi needed. No API needed. The photos carry the location. The Machine is learning.

Health update: Got checked at a clinic. Foot nails have fungus — need to see a doctor to treat it. Adding to the health tracker. Also monitoring liquid intake and food intake going forward. Vitals coming soon.

"Broadway is the first step of figuring it out. We gonna make life most functional — on the principle of Bryan Johnson, but he's not smart, I am smart. I am OMER MUNEER QAZI. And I have solved entire living. Inshallah will guide you soon more." — 4:40 PM, charging at a Pakistani restaurant in Bukit Bintang.

The sun went down on Bukit Bintang and the energy shifted. Found Gravy Baby — a bar and restaurant on Changkat with brick walls, warm Edison bulbs, and the kind of atmosphere that makes a MacBook and a Coca-Cola feel like a proper office. Session 3 began at 6 PM and didn't stop until 11.

This is where Broadway really got built. Terminal running. Green text on black screen. Claude Code churning through prompts while people drank cocktails around me. Built the open letters — MrBeast, Elon Musk, Jeff Bezos, Irfan Junejo. Created personal landers for Glen, Mama, Papa, Maryam, Saadi. Mined 11,494 WhatsApp messages from Glen Berg. GPS tracking system established.

Somewhere around 8 PM, the drone light show started over the KL skyline. Hundreds of tiny lights forming patterns in the night sky with the moon hanging behind the towers. I stepped outside to watch. Then went right back to coding.

Walked past Le Casablanca Hotel at night — beautiful white colonial building with checkered floors and warm lighting. This whole neighborhood has stories.

Sent Rs. 20,000 to Tahrem Shahid back home. Even when you're building the future in another country, the people who need you don't stop needing you.

Broadway exists because real people and real companies believe in documenting life without filters. These sponsors make the production possible.